致我们终将逝去的青春
Director Wen Muye speaks on latest anti-war movie_我的网站
A | Sophie 编译 BurgerFuel公司更改了最新的宣传广告和广告语。
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It centers on an ordinary Chinese chef caught in the crossfire of war. Shen Teng stars as Xu Fu, a cook who travels to the fictional Middle Eastern capital of Bahata to repay family debts. There he joins forces with restaurant manager Ma Junsheng (actor Jiang Qiming) to run a Chinese eatery. When conflict erupts, the self-preserving every-man endures personal losses and gradually comes to protect local children.
Produced by Ning Hao, the film continues Wen's signature focus on "little people," this time placing them far beyond China's borders.
In an interview with the Global Times, Wen talked about the project's connection to news reports of Chinese migrants who open restaurants overseas and forge quiet connections through food.
"Many Chinese people go abroad simply to make a living," he told the Global Times. "They open restaurants, use food to break down regional barriers, and form deep bonds with locals."
The production team conducted extensive research and location scouting in the Middle East to capture everyday details. Elements such as free-running single-humped camels required overseas shoots; the resulting images of open space after confinement, Wen noted, carry a simple sense of hope.
Food functions as the film's central motif.
"Food more often stands for happiness and peace," Wen explained. "Even in a war-torn environment, people still cannot do without three meals a day. That sounds basic, but after all the big things in life, what people care about most are the simplest things - eating a proper meal and taking care of family."
A specialized food unit developed the dishes, and Shen trained extensively so that most of the wok-tossing sequences were performed by the actor himself, Wen said.
The film deliberately intercuts kitchen routines with combat sequences.
"Three meals a day represent our longing for peaceful life, while war is the extreme act that destroys peaceful life on a large scale," Wen said. "When they collide, each becomes clearer: Food feels more ordered and full of happiness; war feels more chaotic and dark."
He hopes the juxtaposition helps audiences recognize how hard-won ordinary peace really is.
Xu Fu's decision to shelter orphans never relies on lofty rhetoric, only a meal and a roof. Wen described this approach as rooted in a human-centered outlook rather than classic Western hero narratives.
"We place more weight on humanism and the value of a person's existence. Our culture is about living well, studying well, eating well, and looking after children. No matter how large the events, three meals a day remain unavoidable. Food itself has warmth and can give people real strength when they are in a difficult situation," Wen said.
The director noted that he wants viewers to leave with the plainest conviction: live properly, eat properly, and cherish the peace that exists in the present.
On balancing personal expression with commercial reach, Wen kept his principle simple: "Make the film well and tell the story well. I try to put what I want to express into foreshadowing and details without hurting the viewing experience. If audiences notice those details, I will be glad. If they do not, it does not affect the normal narrative."
From Dying to Survive and Miracle: Stupid Kid to the new film, Wen's view of human complexity has remained consistent. "People have many different sides. They face different circumstances and make different choices."
The through-line, he added, is the same plain belief: "Being able to enjoy a proper meal is the greatest happiness."
Early audience response has been overwhelmingly positive. Advanced screenings delivered scores of 9.7-9.8 on major Chinese platforms including ticketing platform Maoyan.
Many entered expecting a light Shen Teng comedy and left in tears, describing the experience as "laughing then crying." Shen's restrained performance has drawn particular praise, with some calling it the strongest of his career. Jiang's supporting work has also been widely noted.
Moviegoers have frequently highlighted the film's refusal to deliver speeches. Its focus on daily meals and small acts of care lands more powerfully than any slogan.
On the depiction of the conflict, audiences observe that the movie offers a perspective that "flips the Hollywood script" by casting the US as the invader, while refusing to portray US soldiers as pure villains. Instead they appear as ordinary young men: loose in discipline and marked by the alienation of war.
Both Chinese and overseas viewers have singled out this measured approach as part of the film's distinctive Chinese viewpoint: It sidesteps both Western hero narratives and simple demonization. Some international comments note that by staying with ordinary lives rather than choosing geopolitical sides, the story offers a different lens on conflict.
One widely circulated comment from a popular Chinese self-media account on WeChat captured the film's ambition: "You can think of this film as a blend of Casablanca, Schindler's List, and The Shawshank Redemption, yet at its core lies the same grounded human compassion found in Dying to Survive. This is a highly successful attempt by Chinese filmmakers to surpass Hollywood. It is the first Chinese film that truly possesses a global vision and a professional sense of international storytelling. It is also a gift of warmth and goodwill from the Chinese people to a world still torn by war and cruelty."
。在一次圣诞节游行中，该连锁店的一辆汽车撞上了一支铜管乐队，让一名伤者的家属因此感到不悦。 这家快餐公司本周推出了新的汉堡套餐Mitsufishi Feed，广告语是“漂移进入夏天（Drifting into Summer）”。 Advertise with us “驶入商店，Mitsufishi Feed为欢乐时光而来……”背景图中包括两辆车，一辆蓝色，一辆紫色。
C | 广告宣传启动后不到24小时，BurgerFuel就将广告上的文字改为“夏季定制（Customised for Summer）”。
D | 此前，11月25日，在奥克兰西区的Avondale圣诞游行中发生了一起事故，一辆涂装了BurgerFuel标志的汽车撞上了舞台附近演奏的铜管乐队的成员。 乐队的一名成员的未婚妻在车祸中被甩到舞台下面，他说最初的口号“用词不当”。 “我完全支持他们卖汉堡之类的，但他们本可以用其他的用语来推销自己的产品，尤其是在发生了那件事之后。” BurgerFuel的品牌和营销主管Nikki Soons表示，该品牌是围绕汽车文化创立的。 “所有的广告宣传都是提前几个月与媒体一起策划和安排的。我们无意冒犯任何人。” “由于事件发生的时间较近，我们已经尽一切可能修改这一特定的宣传广告。” 广告专家、The Goat Farm创意总监Vaughn Davis（Davis与BurgerFuel的广告没有任何关系）表示，宣传广告通常需要很长时间才能设计出来，但这并不意味着企业不能根据当前的情况调整。
E | “在Avondale事故发生之前，Mitsufishi Feed的漂移广告已经策划了很长时间。不过时机很糟糕。” “除了调整广告内容外，我觉得该公司应该考虑如何对Avondale社区以及当天受伤的人们做出弥补。” 警方证实，对圣诞游行事故的调查仍在进行中，目前还没有逮捕任何人或提出指控。 医护人员在现场对六人进行了治疗。警方说，有五人受伤，其中包括一名成人和两名儿童，他们被从车里拖出来并遭到袭击。 相关阅读： 奥克兰发生圣诞游行事故：车辆撞向乐队，六人受伤 注：本文为编译/原创，欢迎转发分享；但严禁复制等未经授权的非法使用。违反上述声明者，本网将追究其相关法律责任。使用授权请联系[email protected]。 chineseherald.co.nz All Rights Reserved 版权所有 (责编：Sophie) 相关内容 奥克兰或将出现壮观的南极光！这在新西兰是非常非常罕见的现象 因涉嫌参与20起入室盗窃案，奥克兰一名16岁的青少年被逮捕 警方发布零容忍警告，节日期间将严查酒驾和超速 奥克兰警方缴获数万纽币假钞，捣毁制假窝点，一名男子被捕 奥克兰北岸发现神秘粉末，一人被送往医院 奥克兰交通局今夏将修复550公里道路，资金削减交通安全如何保障？ 午夜时分，奥克兰Albany发生不明原因死亡事件 日子不好过，四分之三的新西兰人选择购买二手礼物。
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